The
Clash
Super
Black Market Clash (1994)
review
by: Michael Walls
Date:
2/18/01
This
review was prompted by the recent meeting of some self
proclaimed Clash fans that did not have or did not know
about this CD.
I
don't want to come off as a Clash snob or Clash expert,
but I'm a pretty darn big Clash fan. So when I come across
a person who claims to be a fan of The Clash, I immediately
start talking the talk. I don't try to quiz the person
or entrap them into revealing their amateur status as
a Clash fan. I'm just excited to swap the millions of
little tidbits surrounding The Clash and their music.
So, when I hear that "London Calling" is their favorite
album, or that "Rock the Casbah" was the best Clash song
ever written, I immediately get suspicious.
First
of all - London Calling was everybody's favorite album
at one point or another. If it's still your favorite album,
then you haven't listened to it enough to get bored with
it yet. (Which takes a long time, by the way). And as
far as "Rock the Casbah", yeah, okay, whatever…
Okay.
Super Black Market Clash. First of all, this isn't a greatest
hits album. If you want the greatest hits, then get "The
Singles" or "The Story of The Clash" or "The Clash on
Broadway" or one of the zillions of compilations or movie
soundtrack that have them. No, Super Black Market Clash
is almost exactly what it says.
Prompted
by the amount of bootleg recordings of unreleased Clash
tunes being sold and distributed around the world, the
studio decided to jump on the bandwagon and make some
money. They compiled this collection of Clash songs, and
released clean, original recordings under the title "Super
Black Market Clash".
This
CD contains 21 recordings. 2 of which were never released,
10 had never been on CD, and the rest were remixes or
original recordings that were later shortened for radio
play.
I
love this CD. This is one of the few Clash albums (along
with London Calling) that you do not have to skip around
to your favorite tunes. Every song is great. Even those
you might not be familiar with. It's got old classics
like "1-2 Crush on you" and "Pressure Drop" and "Gates
of the West". Then it's got amazing remix versions of
"The Magnificent Seven" (called "The Magnificent Dance"),
and "Rock the Casbah" (called "Mustapha Dance") and "This
is Radio Clash" (simply re-titled "Radio Clash"). As well
as instrumentals, like, "Time is Tight" and "The Cool
Out".
I
would insist that Super Black Market Clash is an essential
"must-have" for any true Clash fan. But I would also like
to add that this CD is a perfect introduction to The Clash
for new fans and amateurs because of it's studio handpicked
production. This album was put together for the sole purpose
of making money. It contains some of the best recordings
of the best Clash tunes. A perfect mix of Dance, Ska,
Reggae, punk and pure English Rock and Roll.
The
Clash
Sandinista! (1980)
review
by: Chris Orcutt
Date:
7/7/00
I
can't believe I'm recommending a record that's 20 years
old, but I really just started listening to this and realized
how great it is. I had always taken everyone else's opinion
that Sandinista is a mess, but on closer listening (after
like 10 years), it's pretty brilliant.
The
Clash went for everything here, embracing world music,
dub reggae, gospel, R&B, waltzes and some definite kick-ass
rockers. As usual, the vocals are mostly by Joe Strummer
and Mick Jones, but the drummer and bassman sing a few,
as do a lot of other people. This album shows what virtuosos
the group was in the studio, from the beautiful production
of "Rebel Waltz" to the layering of the different instruments
in "The Street Parade." There's definitely some throwaways
(towards the end of the second CD some remixes are done
seemingly to fill space) but even when two songs have
identical bass and drum tracks ("If Music Could Talk"
and "Living In Fame") they have been approached so differently
with different instruments and vocals that the result
is two totally distinct songs with very different feels.
If
you're looking for The Clash at their zenith then definitely
go with "London Calling." But if you want something that
you really might get involved with and if you're interested
in finding something different on even the 100th listen
(no shit!), get "Sandinista."
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