Gorillaz
Gorillaz
(2001)
review
by: Michael Walls
Date:
2/4/02
I
don't usually do this. Buy a CD because I heard one song,
once, and liked it. Actually, I didn't even hear the song.
I saw it. On MTV. In the middle of the night, when MTV
actually plays music videos.
The song was "Clint Eastwood" by Gorillaz. Apparently,
Gorillaz has got some sort of cartoon or comic book characters
associated with it. In this ultra-cool cartoon video,
these comic book characters are introduced to us as they
sing, or rap, this urban hip-hop, dark rap tune, along
side these killer gorillas in a cemetery or something.
I don't know why it's called "Clint Eastwood".
It was late. I was tired. I had a 2 month old baby in
my lap, screaming. And I haven't seen music videos in
a long while, so I though this one was pretty cool. So
I bought it.
Know what? I got lucky. This is a pretty darn good CD.
"Clint
Eastwood" is the fifth song on this 17 song CD, and
before I even listen to it, I'm thinking, "Alright,
here we go. I've just purchased one good song surrounded
by 16 tracks of crap."
But
right off the bat, the first track, called "Re-Hash"
catches me off guard, 'cause I'm expecting some sort of
urban hip-hop CD, based on the the video I saw. But no.
What I get is a cool, electronic pop, funky, synth and
drum machine, female backed vocal harmony, tune. Think
Big Audio Dynamite, or maybe Talking Heads. I like it.
Track
two. Something completely different. I'm thinking very
Weezer-like. I like it too.
Track
three. I'm thinking, different band altogether. This song
is called "Tomorrow Comes Today". A very cool,
bass-heavy, driving-in-the-rain-at-night, mellow tune.
One of my favorites.
Track
four. Bluesy, soulful tune. Like it too.
Then
track five, "Clint Eastwood". A lot more fun
in the video, but still a fun tune.
From
here, I tend to skip around a lot, but overall this CD
is very listenable from start to finish. I sense a strong
Talking Heads, Madness, influence, in terms of experimental
sounds and funky rhythms, where each song has a unique
sound, mixing up vocals and styles.
Another
standout includes track 11, called "19-2000",
which features the vocals of Tina Weymouth (formerly of
Talking Heads, Tom Tom Club). A bubbly (literally) and
funky electronic tune with great vocals and lyrics.
If
you enjoy pop music that likes to dabble in rap, funk,
ska and soul (and even salsa in "Latin Simone"),
you might enjoy this CD. Give it a try.
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