Filth
Irvine Welsh
review
by: Brandon Copple
Date:
5/1/03
Irvine
Welsh's version of a murder mystery, complete with talking
tapeworm.
A couple weeks ago I went to a panel
discussion at a writer's forum in Chicago. On the panel
sat Irvine Welsh, a brilliant writer who I hoped would
be interesting as a speaker. Unfortunately the whole thing
was Q&A, full of idiotic questions from creative-writing
students.
One of these dippy wannabes asked the panel if images
or events from their dreams had ever appeared in their
fiction. Welsh's response: 'Most of my dreams are about
sex and violence, so aye.'
Nowhere is this more evident than in Filth, published
in 1998, four years after his debut classic Trainspotting.
Filth has more sex and violence than the Fox fall
lineup. The sex is overt, dirty and constant. The violence
is much more subtle and more disturbing.
This book is not for the faint of bowel. It's about Scottish
cop, Bruce Robertson, investigating the gruesome murder
of a black man on a December night in Edinburgh. The book
opens with the murder, presented in graphic detail, but
this is one of the few descriptions of a physical act
of violence.
Instead, it's the book itself that's violent. Welsh assaults
with his rapid, rhythmic prose. He bludgeons with a protagonist
who's almost impossible to like. Robertson lies, steals,
womanizes, gets drunk, does drugs and masturbates. Now,
I've done all of those things (and enjoyed doing them)
at one time or another. But Robertson does all of them
at once. And more. He listens to Phil Collins. He blackmails
the daughter of a prominent defense attorney into a blowjob.
He turns colleagues against each other. A compulsive manipulator,
he executes on a patient scheme to get in his best friend's
wife's pants while getting the friend thrown in jail.
If this is what Irvine dreams about, dude's got issues.
Robertson isn't wholly despicable. He has flashes of kindness
and fellow-feeling. It's obvious that something has damaged
him. Physically, he's falling apart. He's got a nasty
case of eczema on his genitals. And he's got a tapeworm
in his gut. The tapeworm comes to life on page 24. After
it has grown strong and become sentient, the tapeworm
occasionally interrupt Bruce's narration to share its
thoughts and observations.
I am not shitting you. The tapeworm narrates. It interrupts
the protagonist's thoughts with long soliloquies. It serves
as a sort of conscience. The tapeworm is more likeable
than its host. It wants desperately to live a meaningful
life.
'My problem is that I seem to have quite a simple biological
structure with no mechanism for the transference of all
my grand and noble thoughts into fine deeds,' the tapeworm
laments. It goes on: '...here I am, thinking that this
Host, due to greater his complexity is probably an empiricist;
believing that intelligence can only be inferred from
behaviour, which I know to be false.'
Confined to a life of eating and defecating, dependent
on its host for existence, the tapeworm decides to learn
everything possible about this man. What better place
to do that than from inside his bowels?
So this thing begins soaking up Bruce's life, literally
and figuratively. And it lets us in, describing the man's
horrid past for us even as we watch his present life fall
to pieces.
The tapeworm is a stroke of genius. Not only does it help
us understand our brutal protagonist, but it keeps us
reading. It's articulate and interesting. It loves life
in a way that its host cannot.
Throw in a couple of shocking twists at the end, and you've
got a fine book. It's not great: the murder mystery is
largely neglected and too much happens too fast at the
end. But Filth is funny and compelling from the
start. And the language is spectacular. As in Trainspotting,
Welsh takes a dialect that's almost impossible to understand,
in print or in voice, and makes it sing.
I should say that if you haven't read Welsh, start with
Trainspotting. Filth lacks the depth and
fundamental sweetness that gave ''Spotting' its power.
If it weren't for the talking tapeworm, Filth wouldn't
have much soul at all.
As it is, it's worth reading just for the tapeworm.
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