The
Wind-up Bird Chronicle
Haruki Murakami
review
by: Matthew Scrivner
Date:
10/18/02
Saying
you have a favorite book is like saying you have a favorite
rock band. There are too many genres and styles and inevitably,
whatever you claim for yourself this week will change
with the wind. However, to date I have re-read this book
more than any other I have ever owned and it continues
to have a strange and serious impact on my perception
of the world around me.
Wind-Up Bird is seemingly simple on the surface. Toru
Okada, currently unemployed, married, living in the Tokyo
suburbs, discovers that his cat has gone missing. He goes
looking for it. Then his wife goes missing, and somehow,
it's implied that this is related to the missing cat.
And there is this mysterious woman that keeps calling
him in the middle of the afternoon wanting to have phone-sex.
There are a pair of sisters, psychics of sorts, with funny
hats and pink or polka-dot business suits. And there is
an empty well. And there's a gift wrapped box container
of single-malt scotch with no bottle inside. And a bird,
never seen, in the trees, chirping away mechanically,
and it sounds as if the world is winding it's spring.
Mirroring the story in the present day is second story,
a flashback reflection on the Japanese/Chinese front of
World War II, the Mongolian stage, the brutality and horror
of war, and it's lasting consequence on the Japanese psyche.
This second story also has an empty well, and a wind-up
bird. The connections between past and present are too
numerous to list.
So this book begins with a search for lost things. It
extends so far beyond this into the realm of the symbolic
and metaphysical that upon completing it the first time,
I was haunted for months by the echoes of this book resonating
into my everyday life. It's a hard book to talk about
because it is so very subtle, and I am not really doing
it justice with my synopsis or my praise. This is part
of what is to be learned, this subtlety, and even this
intentional confusion and disbelief.
Murakami denies categorically that any of this writing
has anything to do with Taoism, divination, or the mystical.
Even so, he magnifies for us here the most minute and
insignificant details, demonstrating that the simplest
parts of our experience can have life shattering significance
and symbolism in our lives. That the seemingly mundane
events of living, things like folding the laundry and
cooking spaghetti are under-laid with strangeness and
depth bubbling up into our heads, old wells that we have
filled with longings and fears. This book works on the
idea that underlying our reality are great and terrible
secrets, the idea that the interconnectedness of all things
extends beyond places we are comfortable imagining into
realms where synchronicity is almost horrifying and causality
is twisted and indecipherable. We all progress through
personal spiritual quests of sort, maybe even unaware
of the significance and seriousness of the events we encounter.
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