Gumball
Super Tasty (1993)
Review
by: Mike Webb
Date:
6/1/03
I
was working at the label this record came out on when
it was released. I think there’s a tendency for
brainwashing when you’re closely involved with a
project because you hear the music so often or because
you like the band members or because you want your work
to lead to something successful. So I always have to step
back and question whether my affection for a particular
record is true or brought on by other factors. But as
soon as I put Super Tasty on I realized I like
this disc because it’s great music.
Gumball is the work of indie producer Don Fleming (Sonic
Youth, Posies, Screaming Trees, Teenage Fanclub) and his
pals Eric Vermillion and Jay Spiegel. Future Garbage man
Butch Vig helmed the boards (and also produced Nirvana,
L7, Smashing Pumpkins, Freedy Johnston and Sonic Youth)
and cranked out a muscular, distortion-riddled pop record.
There’s nothing complex going on here, no genre
mixing – just good, old fashioned rock’n’roll
with loud guitars, slamming drums, and a goofy attitude.
Just the way every album ought to be.
The
opening four tracks of Super Tasty set the stage
perfectly for what’s to come. "Accelerator"
is a blast of slide guitar insanity matched with lyrics
about trying to make it to the show on time. And the first
verse of the second song starts with "I got a hell
of a message from hell today, a mean dog chains its master."
"Here It Comes Again" is more straightforward
pop with a touch of keyboards and "Tumbling"
is hard-charging melodic pop with screaming guitars. A
lot of credit should probably go to Vig for keeping the
songs compact, while not being afraid to let the distortion
reach an obnoxious level. And though drummers like Vig
tend to mix the drums a little bit higher than necessary,
it really works well.
The
next eight songs offer more of the same, but it never
wears thin. Had they included their cover of The Damned’s
"New Rose", Super Tasty could’ve
been a contender. Instead it serves as a reminder of the
many great albums Columbia Records released but failed
to fully support. Unfortunately Columbia threw in the
towel almost immediately when Gumball didn’t stick
to the charts. But 10 years later, the band will still
provide you with plenty of pleasure, as long as you don’t
get depressed wondering why these guys were overlooked
in the first place.
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