The term “Rockabilly” is a relatively new one, with regard to other music genre classifications. Yet, the music that makes up this genre has been around a long, long time.

Rockabilly is the music that American teenagers danced to in the 1950s. At that time it was called “Rock ‘n Roll”. But Rock ‘n Roll is too broad of a genre these days, so I am thankful that Rockabilly got its own tag. At least now, I know what kind of music to expect from this specific genre.

BAC, the debut CD of veteran songwriter Mike Cullison, is a Rockabilly album, and a worthy one without any attempt to be anything else. It is a glorious return to foot-tappin’, head-shakin’ grooves of smooth sax work mixed with poppin’ piano play and non-overbearing guitar riffs.

It is a real treat to actually be able to hear the journeyman-level musicians play on this album. The lyrics do not make you think too hard because everyone has experienced the self-confident highs and broken-hearted lows that Cullison sings about. At times you hear the early Elvis and Carl Perkins influence. (The cover of Perkins’ “Honey Don’t” is an appropriate acknowledgement on this CD.) But be warned, this CD can cause “Sudden Dance Syndrome” as eight of the 10 tracks (plus the hidden 11th track) are dance inducing without any effort.

“Beyond The Madness” and “Self Inflicted Wound” are the slow tracks meant for you to grab your partner, or your drink, and hold tight.

The only blemish on this release is the “no frills” CD cover. However, Cullison is an independent artist with a limited production budget, so the lack of photos and bio information is understandable.

Still, the musicianship and songwriting is top-notch. BAC is quality Rockabilly music, no doubt.

(Anthony Bates is a guest writer for 2 Walls Webzine and Music Director for Moozikoo.com)